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Contemporary Jewish Reality in Germany and Its Reflection in Film
von: Claudia Simone Dorchain, Felice Naomi Wonnenberg
Walter de Gruyter GmbH & Co.KG, 2013
ISBN: 9783110265132 , 249 Seiten
Format: PDF
Kopierschutz: Wasserzeichen
Preis: 0,00 EUR
Introduction
7
Cusanus, Nietzsche, and Lacan on Reflection. The Mirror as Philosophic and Political Concept
11
Alterophilia or Appropriating the Other. Images of ‘Jews’ and ‘Gentiles’ in Contemporary German Film
23
A Passage to Modernity - The “Iconic Turn” and “Jewish Reality”. Interview with Tommaso Speccher
43
Some Filmic Heroines and ‘Others’ in the GDR Documentary Women in Ravensbrück (1968)
57
A City of Mind. Berlin in the Perception of Young Russian-Speaking Jewish Migrants
77
Lea Wohl von Haselberg Between Self and Other. Representations of Mixed Relationships in Contemporary German Film and Television
91
“Unkosher Jewish” - Jewish Popular Culture in Berlin
105
“Morbid Beauty” as an Aesthetic Concept to Portray “the Jew” in German Film. Interview with Felice Naomi Wonnenberg
117
Between Guilt and Repression - Conversion to Judaism after the Shoa
129
Can’t Get No Satisfaction. The Desexualization of the Jewish Man in Contemporary German Film
145
Intra-Activities of the Queer Diaspora. Berlin-Kreuzberg and the “Jerusalem Kings” Phenomenon
163
The Long Shadow of the Holy Cross. Jewish-Christian Gender-Images in Max Färberböck’s movie Aimée und Jaguar
177
The Dead Jew as Eternal Other. Loss and Identification in the Memorial to the Murdered Jews of Europe in Berlin
195
Sissy and the Muscle-Jew Go to the Movies. The Image of the Jewish Man in Film after 1945 and Its Reception in Germany
211
Spaces of Memory - Reflections on Social Transformation at the Memorial for the Murdered Jews of Europe. Interview with Irit Dekel
237
Authors
245
Index of Persons
247
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