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Preface
6
Content
8
Medieval Culture ‘betwixt and between’: An introduction
10
Performing the Penitential Psalms in the Middle Ages
24
‘Remember me in your prayers’
48
Performing Parliament in the Rotuli Parliamentorum
70
Scurrilitas: Sex, magic, and the performance of fictionality in Anselm of Besate’s Rhetorimachia
110
Authorship and performance in Dante’s Vita nova
134
Paradoxes of performance: Autobiography in the songs of Hugo von Montfort and Oswald von Wolkenstein
152
Performative desires: Sereni’s re-staging of Dante and Petrarch
174
Singing Sweetly to the Virgin: Josquin’s Inviolata
208
Re-presenting set-piece description in the courtly romance: Hartmann’s adaptation of Chrétien’s Erec et Enide.
230
‘Ich pin der haid Aristotiles. ein exempel nemend des’: Performing Aristotle’s lessons
254
Dante’s reception in German literature: a question of performance?
286
Abbreviations
308
Selected Bibliography
310
Index
324
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