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When Machines Play Chopin - Musical Spirit and Automation in Nineteenth-Century German Literature
Acknowledgements
6
Table of Contents
8
Chapter One Towards Autonomy: Imitation and Expression at the Turn of the Nineteenth Century
10
Chapter Two E.T.A. Hoffmann’s Aesthetics of Music and Musical Machines in “The Automata,” “The Sandman” and Music Reviews
42
Chapter Three Schopenhauer and Hanslick: Toward a Definition of Instrumental Music as an Autonomous Art
74
Chapter Four Virtuosity and the Experience of Listening in Heinrich Heine’s Music Criticism and “Florentine Nights”
101
Chapter Five Rilke’s Phonograph: the “Talking Machine” and Imagined Sound
131
Conclusions
158
Bibliography
163
Index
177
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