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Digital Storytelling - Form and Content
von: Mark Dunford, Tricia Jenkins
Palgrave Macmillan, 2017
ISBN: 9781137591524 , 244 Seiten
Format: PDF, OL
Kopierschutz: Wasserzeichen
Preis: 149,79 EUR
Acknowledgements
5
Contents
6
Editors and Contributors
9
List of Figures
11
Chapter 1 Form and Content in Digital Storytelling
12
What We Mean When We Talk About Digital Storytelling
14
Practitioner Perspectives, Theoretical Positionings: And the Spaces in Between
16
Part One: Practice
17
Part Two: Content
18
Part Three: Form
20
Part Four: Understanding
22
Concluding Thoughts
24
References
26
Part I Practice
29
Chapter 2 The Central Role of Practice in Digital Storytelling
30
An Open Source Social Change Technology
31
The Evolution of New Practices
32
Practice Along a Continuum
33
Chapter 3 My Story from Kibera
36
Arrival
36
Programme
37
Publicity and Communications
37
Ndugu Mdogo Boys
38
Premises and Equipment
38
Day One
38
Day Two
39
Day Three
39
Day Four
40
Post-Production
41
The Red Carpet Event
41
Conclusions
42
Chapter 4 One Million Life Stories
44
Chapter 5 Collaborating with Other Artforms. History in Our Hands: A Long-Term Storytelling Project with Older People
49
Chapter 6 Digital Storytelling in Multicultural Singapore
56
Digital Storytelling Comes to Singapore
56
A Nation-Sized Dream
57
A Journey of Experimentation
57
A Conversation on Public Space
58
Collective Storytelling: Giving Voice to the Marginalised
59
The Hero’s Journey: Helping Prison Inmates “Rehab, Renew, Restart”
59
Storytelling for Businesses: Humanising the Workplace
60
Scaling up Digital Storytelling
61
Connecting Youth and Senior Citizens
61
An Educator’s Insights
62
Conclusion
62
Chapter 7 Digital Storytelling with Users and Survivors of the UK Mental Health System
64
Introduction
64
Background
65
Developing Our Process
65
Dignity and Respect
66
The First Workshop: November 2011
67
What’s Changed?
71
Working with Mental Health Service Users Is Different
71
Conclusion
72
References
73
Part II Content
77
Chapter 8 Digital Storytelling for Women’s Well-being in Turkey
78
Story Workshops with Women
78
Stories Women are Made Of
79
Well-being Under Pressure: Women’s Coalition Digital Stories
81
A Virtual Room for Oneself
86
Conclusion: Coalition of Stories
88
References
91
Chapter 9 Going Beyond “the Moment”: Towards Making the “Preferably Unheard” Malaysian Sexual Minorities Heard
94
Introduction
94
The Power of Narratives
96
Going “Beyond the Moment”: Two Case Studies from Malaysia
98
Shaving
99
Confessions of an Ex-Homophobe
100
Conclusion
102
References
104
Chapter 10 The Afterlife of Capture Wales: Digital Stories and Their Listening Publics
108
Capture Wales
109
Listening in the Story Circle
112
Wider Listening Publics for Capture Wales
115
Legacies of Listening to Capture Wales
119
References
121
Chapter 11 The Ethics, Aesthetics and Practical Politics of Ownership in Co-creative Media
124
IP “Best Practice” in Co-creative Media
125
Digital Storytelling Best Practice and the Ethics of Ownership
128
IP Management Practices and Issues
132
Concluding Comments
135
References
138
Part III Form
141
Chapter 12 From the Pre-story Space: A Proposal of a Story Weaving Method for Digital Storytelling
142
Background and Objectives
142
Photo Karuta
143
Workshop Method
144
Effectiveness of the Workshop Design
147
Media Conte
148
Basic Workshop Method
148
The “Combining Photos into Stories” Game
150
Interview Time with Sticky Notes
151
Storytelling by Five Picture Cards
151
Storyboard Productions and Editing
152
Preview and Media Coverage
152
Workshop Findings
152
Problems
154
Conclusion: The Story Generating Model from the Pre-story Space
154
Note
155
References
156
Chapter 13 Exploring the Potential of Digital Stories as Tools for Advocacy
158
Exploring the Use of Digital Storytelling as an Advocacy Tool
163
Conclusions and Discussions
166
References
167
Chapter 14 Reconceptualising Digital Storytelling: Thinking Through Audiovisual Inquiry
169
Introduction
169
Embodying the Object
170
Connecting DS to the Documentary Arts
174
An Arena of Inquiry
176
Conclusion
179
References
182
Part IV Understanding
185
Chapter 15 Making Emotional and Social Significance: Digital Storytelling and the Cultivation of Creative Influence
186
Unexpected Stories and Emotional Worlds
187
Making Emotional Significance
192
Re-making the Social
197
Creative Influence and Social Engagement
201
References
203
Chapter 16 Smiling or Smiting?—Selves, States and Stories in the Constitution of Polities
204
Smiling and Smiting
204
Smiling Selves
207
Smiting States
209
Polities: Demes
212
The Origins of Smiting
215
The Growth of Knowledge
217
Selfie State?
220
Personal Stories—but What Is a Person?
220
Scholarly Stories
221
The GG Solution: “Foolishly Underrated”
222
“Wake up Everybody”
224
References
226
Chapter 17 Therapy, Democracy and the Creative Practice of Digital Storytelling
229
Introduction
229
Discourses of Therapy and Democratisation are at the Heart of Digital Storytelling Practice
230
Productive Tension between the Two Discourses Accounts for the Appeal of Digital Storytelling
235
Limiting our Understanding of Digital Storytelling to Identifying Discourses of Therapy and Democracy is Reductive
236
Conclusion: Creativity, Therapy and Democracy
237
References
239
Index
241
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