CANDIDE (French Classics Series) - Illustrated - Including Biography of the Author and Analysis of His Works

von: Voltaire

e-artnow, 2016

ISBN: 9788026850724 , 140 Seiten

Format: ePUB

Kopierschutz: Wasserzeichen

Windows PC,Mac OSX geeignet für alle DRM-fähigen eReader Apple iPad, Android Tablet PC's Apple iPod touch, iPhone und Android Smartphones

Preis: 1,99 EUR

Mehr zum Inhalt

CANDIDE (French Classics Series) - Illustrated - Including Biography of the Author and Analysis of His Works


 

This carefully crafted ebook: 'CANDIDE (French Classics Series) - Illustrated' is formatted for your eReader with a functional and detailed table of contents. Candide is a French satire that begins with a young man who is living a sheltered life in an Edenic paradise and being indoctrinated with optimism by his mentor, Professor Pangloss. The work describes the abrupt cessation of this lifestyle, followed by Candide's slow, painful disillusionment as he witnesses and experiences great hardships in the world. The Novel is characterized by its sarcastic tone as well as by its erratic, fantastical and fast-moving plot. It parodies many adventure and romance clichés, the struggles of which are caricatured in a tone that is mordantly matter-of-fact. Still, the events discussed are often based on historical happenings, such as the Seven Years' War and the 1755 Lisbon earthquake. Voltaire concludes with Candide, if not rejecting optimism outright, advocating a deeply practical precept, 'we must cultivate our garden', in lieu of the Leibnizian mantra of Pangloss, 'all is for the best' in the 'best of all possible worlds'. This satire on Leibniz's philosophy of optimistic determinism remains the work for which Voltaire is best known. François-Marie Arouet (1694-1778), known by his nom de plume Voltaire, was a French Enlightenment writer, historian, and philosopher famous for his wit, his attacks on the established Catholic Church, and his advocacy of freedom of religion, freedom of expression, and separation of church and state. As a satirical polemicist, he frequently made use of his works to criticize intolerance, religious dogma, and the French institutions of his day.